In my artistic practice, I explore memory, space, and cultural identity. Through a material language of coffee, fire, natural pigments, and mixed-media collage, my work unearths obscured narratives, revealing the resilience embedded in Haitian heritage. Each series— Portal, Big Good Angel, Dreamscapes, Reflection, and Machèt— serves as a vessel for memory, where space transcends the physical to embody emotional and psychological realms. Burned holes on heavily collaged paper act as portals, introducing an element of destruction that paradoxically leads to creation. This technique unveils hidden layers beneath the surface, serving as a metaphor for uncovering buried memories while also challenging the notion of space by creating vignettes and small windows into the multilayered collage work. By engaging deeply with Vodou and African religious traditions, my work seeks to dismantle colonial-era stigmas while honoring ancestral wisdom, inviting viewers to traverse the multifaceted layers of identity and spirituality. Over the past five years, I have humbly foregrounded this spiritual tradition, which has long shaped my upbringing, practice, and becoming. Its presence is undeniable in the Reflections and Dreamscapes I create, in the ritualistic, meditative, and ceremonial approach I take to making, and in the materiality of my mixed-media paintings.